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Kate Grenville on Stella
Here’s a paragraph from Kate Grenville’s recent blog post about Stella.
“I’m not supporting the Stella Prize out of self-interest – at my age, I may not have too many books ahead of me, and thanks to the Orange Prize I’ve had my moment in the sun. But for the sake of all those women writers who come after this generation, and all the women readers too, let’s get the heavy machinery out and start levelling that playing-field.”
“They are books that rattle our cages and dismantle our cultural scripts – books that brim with ideas and desires. Some are genre-bending and genre-busting; others are genre masterclasses. Some are quietly potent; others are bombastic and irrepressible. But they all demand – command – our full-hearted, full-minded attention..”
And, once again, nearly half of the books on our have longlist come from small/indie publishing houses, testament to the vital role these publishers play in diversifying the Australian literary landscape – our cultural conversation is so profoundly enriched by their risk-taking.
It has been an honour to chair the 2024 Stella Prize, and to read alongside such a compassionate and insightful panel. My deepest thanks to my fellow judges: Eleanor Jackson, Bram Presser, Yves Rees and Cheryl Leavy.
It is my second year in a row reading for Stella. Since August of 2022, I’ve read close to 500 works by Australian women and non-binary writers. The heartbeat of Australian writing is here. These writers deserve a global readership. It is culturally damning that the great majority of them struggle to eke out a sustainable career at home.
Just one reason why the Stella Prize matters.
Explore the latest from Stella
This month Stella celebrates Bila Yarrudhanggalangdhuray by Anita Heiss, longlisted for the 2022 Stella Prize. We asked Anita about her career, the …
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