Longlisted for the 2026 Stella Prize
Lee Lai – Cannon
Graphic Novel · Giramondo Publishing
About the Book
We arrive to wreckage – a restaurant smashed to rubble, with tables and chairs upended riotously. Under the swampy nighttime cover of a Montreal heatwave, we meet our protagonist, Cannon, dripping in beads of regret sweat. She was supposed to be closing the restaurant for the night, but instead, she destroyed it. The horror-scape left in her wake is not unlike the films Cannon and her best friend, Trish, watch together. Cooking dinner and digging into deep cuts of Australian horror movies on their scheduled weekly hangs has become the glue in their relationship. In high school, they were each other’s lifeline – two queer second-generation Chinese nerds trapped in the suburbs. Now, on the uncool side of their twenties, the essentialness of one another feels harder to pin down. Yet when our stoic and unbendingly well-behaved Cannon finds herself very uncharacteristically surrounded by smashed plates, it is Trish who shows up to pull her out.
In Cannon, Lee Lai’s follow-up to the critically acclaimed and award-winning Stone Fruit, the full palette of a nervous breakdown is just a part of what is on offer. Lai’s sharp sense of humour and sensitive eye produce a story that explores the intimacy of queer friendship and the weight of family responsibility, and breaks open the question of what we owe both to each other and to ourselves.
“Lai’s elegant artistry evokes horror and poignancy, shock and delight, and Cannon is an incontestable reminder that the very best graphic novels can do what prose alone cannot.”
– 2026 Stella Prize Judges
About the Author
Lee Lai
Lee Lai is an Australian cartoonist living in Tio’tia:ke (colonially known as Montreal, Canada). In 2021, she was selected as one of the National Book Foundation’s 5 Under 35 for her debut graphic novel, Stone Fruit, which went on to win several awards, including the Lambda Literary Award, the Cartoonist Studio Prize, the Lynd Ward Graphic Novel Prize, and two Ignatz Awards. Her comics have appeared in The New Yorker, McSweeney’s, The New York Times, Granta, and the Museum of Modern Art’s Magazine. Her second graphic novel, Cannon (Giramondo, 2025), was shortlisted for the Victorian Premier’s Literary Awards, the QWF Literary Awards and the GLAAD Media Awards, and was named a ‘best book of 2025’ by the Sydney Morning Herald, NPR, Guardian Australia and ABC Arts.
Further Reading
Reviews
“Lee Lai’s masterful graphic novel considers the small, universal and intersecting catastrophes of everyday life. A charming book about a nervous breakdown, it’s also a salve… Intimate questions dance across the page. And what beautiful pages they are; to read Cannon is to take tactile pleasure in its extraordinary design.” – Judges’ comments, Victorian Premier’s Literary Awards
“Cannon offers a blend of sharp wit and raw emotion… With black-and-white and colour panels alive with detail, Lai maps the wreckage of growing up, and the fragile glue that holds us together.” – Sydney Morning Herald (Best Books of 2025
Links
Judges’ Report
Reliable and dutiful Cannon (real name: Lucy; nickname Luce; ironically – or perhaps not – Luce Cannon) has myriad responsibilities. During the day, she helps her avoidant mother by taking care of her elderly gung-gung (maternal grandfather). At night, she works in the pressure-cooker kitchen of a fine dining restaurant. In her off-hours, she’s a confidante and troubleshooter for best friend Trish. However, Cannon is about to crack – something we see in a dizzying flashforward in the first pages. Cannon is a compelling depiction of a fracturing friendship between two queer, second-generation Chinese women. It is also a bruising examination of the lifelong weight that people – often women – carry, the profound toll it takes to be the “responsible one”, and what can happen when you are being taken advantage of repeatedly. (Bonus: it is also, somehow, very funny.) Lai’s elegant artistry evokes horror and poignancy, shock and delight, and Cannon is an incontestable reminder that – in the hands of a masterful artist and storyteller – the very best graphic novels can do what prose alone cannot. And Cannon is absolutely one of the best.
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