Beverley Farmer, one of Australia’s great prose stylists, and a pioneer of women’s writing, in her exploration of feminine concerns, and her use of different literary forms – novel, short story, poetry, essay, journal, myth and fairy tale.

This Water is the last work of fiction by Beverley Farmer, one of Australia’s great prose stylists, and a pioneer of women’s writing in this country. It is a collection of five interwoven tales, three of them novellas. Each has a woman at its centre: in each the women speak, act, think for themselves, in opposing or escaping from an oppressive authority.

One tale, set on the south coast of Victoria, is animated by the legend of the Great Silkie; another finds its rebellious princess in Lake Annaghmakerrig in Ireland; a third has Clytemnestra as its central figure, mourning the daughter sacrificed by her husband Agamemnon so that he could go to war with Troy – surely one of the great laments in Australian literature.

References to water and stone, ice and fire, light and darkness are woven throughout the collection, as are figures and images from myth and fairy tale – kings and brides, swans and seals, a ring of gold,  ‘the blood red of her silks’ – their power evoked by repetition and resonance, and the remarkable rhythms of Farmer’s language.