Eunice Andrada’s second poetry collection meditates on the ethics of care and the need to dismantle in order to recollect, to recover, and to create. Andrada is a master of final lines, and many of these poems – ‘Subtle Asian Traits’, ‘Duolingo’, ‘Pipeline Polyptych’ – conclude with memorably succinct and inspired turns, as in the sardonic humour of ‘Don’t you hate it when women’, which goes from “kill the herbs on the windowsill /devote their year’s salary to take-out” to “kill the cop / the colonizer / the capitalist / living rent-free in their heads / demolish the altar built on their backs / without blame /walk away”. Andrada’s collection adroitly combines the personal, the political, and the geopolitical, narrated by a voice that is at once hip, witty, and deeply serious. Andrada has the imaginative ability to move between the memories of poet-narrators, historical asides, reflections on the nature of race and feminism in Australia, and questions of colonisation both locally and in the Philippines. Formally remarkable, stylistically impressive, and often surprising, TAKE CARE is a collection that understands the ways in which “There are things we must kill / so we can live to celebrate.”