Longlisted for the 2026 Stella Prize
Natalie Harkin – Apron-Sorrow / Sovereign-Tea
Fiction · Wakefield Press
About the Book
She lingers in archives / her trace is my memory / we labour dig sweat blister imagine / know them more intimately / so much work to be done to clean up this colonial mess.
Apron-Sorrow / Sovereign-Tea evokes an embodied reckoning with Aboriginal women’s domestic labour and servitude drawing from oral history and the State’s official record. It explores the complexity of Aboriginal women’s experiences and survival strategies, and intergenerational stories that span loss, love, sorrow, solidarity, resistance, and refusal.
“Apron-Sorrow / Sovereign-Tea is a powerful reckoning with the state archives that illuminates and vividly remembers the harrowing experiences of Aboriginal women and girls in domestic servitude.”
– 2026 Stella Prize Judges
About the Author
Natalie Harkin
Natalie Harkin is a Narungga creative arts-based Research Fellow with the Indigenous Studies team at Flinders University (Adelaide), Kaurna Yerta. She is passionate about archival justice, engaging archival-poetic methods to document community Memory Stories, and Indigenous Living-Legacy archive innovations for our time. Her books include Dirty Words (Cordite Books) and Archival-Poetics (Vagabond Press).
Further Reading
Reviews
“This is a significant book, equally beautiful and brutal. Harkin should be praised for laying out these documents and stories for us, adding to Aboriginal archives, and to Australia’s authenticated history.” – Heather Taylor Johnson, InDaily
“Apron-Sorrow / Sovereign-Tea’s composite construction, grounded in Harkin’s archival-poetic practice, creates a book of rare aesthetic sophistication, purposefully crafted to transcend the linearity and containment of the colonial archive.” – Samuel Cox, Mascara Literary Review
Links
Read Natalie’s essay in The Conversation.
Listen to Natalie’s episode on Archive Fever podcast.
Judges’ Report
Apron-Sorrow / Sovereign-Tea is a powerful reckoning with the state archives that illuminates and vividly remembers the harrowing experiences of Aboriginal women and girls in domestic servitude in South Australia. The intergenerational effects on families and communities are deeply conveyed, and Harkin’s woven truth-telling is a potent response to whitewashed narratives and brutal systems of control and capture. No longer invisible or ignored, the labour histories of Aboriginal women are important in the greater context of a nation still denying its past. The inclusion of oral history, poetry, memory stories, photographs and collaborative artwork alongside letters, reports and newspaper articles shapes this work as a communal gathering and a moving tribute to Aboriginal women’s strength and resilience. Balanced skilfully and purposely as both history examination and multi-modal creative testimony, Apron-Sorrow / Sovereign-Tea models what a relational transformative text can do.
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