Longlisted for the 2025 Stella Prize

Cher Tan – Peripathetic

Nonfiction · NewSouth Publishing

About the Book

Peripathetic is about shit jobs. About being who you are and who you aren’t online. About knowing a language four times. About living on the interstices. About thievery. About wanting. About the hyperreal. About weirdness.

Cher Tan’s essays are as non-linear as her life, as she travels across borders that are simultaneously tightening and blurring. In luminous and inventive prose, they look beyond the performance of everyday life, seeking answers that continually elude.

Paying homage to the many outsider artists, punks, drop-outs and rogue philosophers who came before, this book is about the resistance of orthodoxies — even when it feels impossible.

Funny and strange and breathing so fast, Peripathetic is a remarkable work. Tan has produced an utterly unique entry in Australian letters.

– 2025 Stella Prize Judges

About the Author


Cher Tan

Cher Tan was born in Singapore in 1987 and moved to unceded Kaurna land (so-called ‘Adelaide’) in 2012. She learned how to write through making zines and blogging. Her essays, criticism and other written work have been published widely. She is the reviews editor at Meanjin and an editor at Liminal, and currently lives and works on unceded Wurundjeri land. Peripathetic is her first book.

Further Reading


Judges’ Report

Cher Tan delivers the reader the mirror held up to society and shatters it with a hammer. In this riot of essays about punk, the internet and the precarity of existence under capitalism’s yoke, Tan writes with an extraordinary regard to the thinkers who have shaped the ages, before and now, and places them on the podium next to ideas and one-liners from her friends and loved ones about life, labour, and the Somerton Man. It is not accidental that Tan, whose Peripathetic is subtitled ‘notes on (un)belonging’, manages to evoke a cohesive whole that belongs together even as its constituent parts veer comically, and violently, into the outrageous and absurd. We are yeeted into existence, Tan writes, and she gathers the linguistic and cultural ephemera of our moment into this breathtaking account of its fractious manifestations. Funny and strange and breathing so fast, Peripathetic is a remarkable work. Tan has produced an utterly unique entry in Australian letters.

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